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views of Senza Bisogno di un Regno [No Need No Kingdom], 2022;

Installation at Zambonina, ITA, June 20 - July 20;

Multimedia, video, mixed media on paper, 1h43m sound cycle;

Text sources include chris kraus, sarah kane, nick aikens on hito steyerl, theodor adorno, derek walcott;

Thank you marina, tess, cate

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Proposes itself as a place in which testimony and expression of ideas of instancing, co-presence, and crossing, are given. On place and localization, institutioning, on neutrality, on servitude.

L’ AMORE CON TE NELLE MIE PIANURE

LOVE  WITH YOU     NEVER ENTERED


CONTINUOUSLY   APPEARING   IN EQUILIBRIUM BETWEEN BEING MODELED, ERODED, OR TRANSFORMING

Centers on neutrality, the idea of drawing content within a localized space that becomes itself content, altogether new; on hosting, accessing, transforming, deforming, redestributing this content. Contemporary war dynamics, mental health, emotional intimacy, nihilism and concreteness, the miracle, emergence and identity, pacing, are all drawn within and into a neutral, yet highly localized space. “Il mondo, ogni volta, sorge sempre da una piega esclusiva, locale-instantanea” (Nancy, 1996). Something that does not belong is made belonging. The content (I, the text, the sculptural components pin-pointing the space) does not belong and yet is brought in. The space’s coordinates are shared, the space delimited by the instancing of objects composing gestural and dynamical figures.
 

A new space is created as a result of this inhabiting. A space determined by its new content-status and delimited by the objects that arise, once presented from a unique, narrative perspective, provided by a lens.

The installation is paired with a featur
e-length video work, Meanwhile, capturing otherness, composed during the assembling of the installation and played during its activation.

views of Meanwhile, part of Senza Bisogno di un Regno;

hd video, 91m, 2022

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stills from Meanwhile, part of Senza Bisogno di un Regno;

hd video, 91m, 2022

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